Cellist Carlos Prieto called the piece "an exquisite composition, worthy of the finest pieces Mendelssohn ever composed for this genre." Ī piece for piano in E minor by Mendelssohn was published after his death under Op. It is not related to any of the piano pieces. It was designated Opus 109 and entitled Song Without Words. This book, and Book 8, were published posthumously.Ī piece in D major for cello and piano, written by Mendelssohn around 1845 for cellist Lisa Cristiani, was published for the first time after his death. The Spinnerlied has also been given the nickname the "Bee's Wedding" since the busy accompaniment to the melody resembles the buzzing of bees.īook 6 was dedicated to Sophie Rosen. Presto: Spinnerlied ("Spinner's Song") (C major).6 "Spring Song" was also sometimes known in England as " Camberwell Green", being the place in London where Mendelssohn composed it while staying with the Benneckes, relatives of his wife. Allegretto grazioso: Frühlingslied ("Spring Song") (A major).Andante con moto: Venetianisches Gondellied ("Venetian Boat Song") (A minor).Andante maestoso: Trauermarsch (" Funeral march") (E minor).Problems playing these files? See media help. ![]() Andante sostenuto: Venetianisches Gondellied ("Venetian Boat Song") (G minor).Other fanciful titles were given to certain of them by later publishers but have no authority and do not reflect any intention of the composer. The titles attributed to some of the songs below were given by Mendelssohn himself. In 2008, the Italian pianist Roberto Prosseda recorded a collection of Mendelssohn's Songs Without Words for Decca Records totalling 56 Lieder, some of them never recorded before. Furthermore, original drafts exist for many of the 'Songs' many of which differ quite substantially from the eventually published versions. Mendelssohn also wrote other Songs Without Words not collected in volumes, and published only in recent years. Mendelssohn himself resisted attempts to interpret the songs too literally, and objected when his friend Marc-André Souchay sought to put words to them to make them literal "What the music I love expresses to me, is not thought too indefinite to put into words, but on the contrary, too definite". Felix has given me a 'song without words' for my album (he has lately written several beautiful ones)." ![]() In 1828, Fanny wrote in a letter "My birthday was celebrated very nicely. The title Song Without Words seems to have been Felix Mendelssohn's own invention. Mendelssohn's sister Fanny wrote a number of similar pieces (though not so entitled) and, according to some music historians, she may have helped inspire the concept. The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of "Songs Without Words" was new. ![]() The first volume was published by Novello in London (1832) as Original Melodies for the Pianoforte, but the later volumes used the title Songs Without Words. This great popularity has caused many critics to under-rate their musical value. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households. The eight volumes of Songs Without Words, each consisting of six songs ( Lieder), were written at various points throughout Mendelssohn's life and published separately.
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